Corcoran College of Art + Design, Washington, DC
October 15-16, 2010

The American Printing History Association is accepting registration for its 35th Annual Conference. Full details, including the program and a registration form, are available at the American Printing History Association website, www.printinghistory.org.

Journal, New Series 13 and 14 appeared in late 2009. More details can be found in the News section.

The Albion Press, by Reynolds Stone, with an Introductory note by James Mosley. ISBN 0 900003 13 8 £14 (members £10)

The Autobiography of Luke Hansard, Printer to the House, 1752–1828, edited and with an introduction by Robin Myers. ISBN 0 900003 12 X £18 (members £12)

Specimen of Stereotype Ornaments, 1825, by M. U. Sears. With an introduction by James Mosley. ISBN 0 900003 11 1 £12 (members £8)

A Specimen of Printing Types, 1796, by S. & C. Stephenson. Together with Sale Catalogue of the British Letter-Foundry, 1797. With an introduction by James Mosley. ISBN 0 900003 10 3 £12 (members £8)

New Specimen of Cast-Metal Ornaments and Wood Types, by William Davison. Edited by Peter Isaac. ISBN 0 900003 09 X £20 (members £15)

Specimen of Modern Printing Types 1828, by Edmund Fry. Reprinted with an introduction by David Chambers. ISBN 0 900003 08 1 £20 (members £15)

Treatise on Lithography, by Henry Bankes. Reprinted from the 1813 and 1816 editions, with an introduction and notes by Michael Twyman. ISBN 0 900003 07 3 £12 (members £6)

A Directory of London Lithographic Printers 1800–1850, compiled with an introduction by Michael Twyman. ISBN 0 900003 05 7 £10 (members £5)

A Directory of London Printers, 1800–1840 by William B. Todd. ISBN 0 900003 04 9 £15 (members £7.50)

Printing Patents: Abridgments of Patent Specifications... 1617–1857. Reprinted from the 1859 edition, with the 1878 Supplement. Prefatory Note by James Harrison. ISBN 0 900003 00 6 £10 (members £5)

Journal, New Series, 1 (2000). General issue, edited by Richard Lawrence and Christopher Burke: On Gutenberg's 600th anniversary: towards a history of jubilees of printing, John L. Flood; Trade cards of early British lithographers, Michael Twyman; Edward Crouch (c. 1622–1676): a poor printer in seventeenth-century London, Jason McElligott.

Journal, New Series, 2 (2000). General issue, edited by Richard Lawrence and Christopher Burke: Greek printing types of the French Renaissance: the 'grecs du roy' and their successors, H.D.L. Vervliet; Monotype and phototypesetting, Andrew Boag.

Journal, New Series, 3 (2001). General issue, edited by Richard Lawrence: The abandoning of the long s in Britain in 1800, Paul W. Nash; The origins of modern filmsetting: the Uhertype: a research report, Roger Muench; John Ryder: a memoir, Michael Harvey; Startling observations on early printing: re-examination of Gutenberg's types, Stan Nelson.

Journal, New Series 4 (2002) includes the following articles: The Greek typefaces of the early French Renaissance, H. D. L. Vervliet; and George and George Robert Gitton, Printers, Bridgnorth, Diana R. Mackarill. Reviews are by Caroline Archer, Andrew Boag, Christopher Burke, Shelley Gruendler, Paul Luna and Margaret M. Smith.

Journal, New Series 5 (2003) includes the following articles: Local and regional studies of printing history: context and content, John Hinks; Gye and Balne: printing families, Robert Banham. Reviews are by Sarah Mahurter, John Feather and Margaret M. Smith.

Journal, New Series 6 (2003) includes the following articles: John Dreyfus, typographical adviser and historian: an obituary, Nicolas Barker; The myth of identical types: a study of printing variations from handcast Gutenberg type, Stephen Pratt; Space-saving practices in early printed books, Margaret M. Smith; Techniques for the study of Renaissance mathematical instruments: punched and engraved lettering, Gerard L'E. Turner. Reviews are by Rosie Miles, Margaret M. Smith, Diana Dixon, John Feather, Judy Crosby Ivy, and Michael Bott.

Journal, New Series 7 (2004) includes the following articles: Reconstructing a Senefelder pole press, Alan May & Michael Twyman; Horace Hart and the University Press, Oxford 1883–1915, Charles Batey, with annotations by R. M. Ritter; The birth of Hart's Rules, R. M. Ritter; Hansard's typographical banknote, Paul W. Nash. Reviews are by Peter Hinds, Richard Lawrence, Marja Smolenaars, David Shaw, Ben Annis, Catherine Armstrong, John Hinks, Lucy Lewis, Karen Osborne, Maureen Bell, John Feather and David Stoker.

Journal, New Series 8 (2005) includes the following article: Early Paris italics 1512-1549, H. D. L. Vervliet. Reviews are by Catherine Alexander, Ross Alloway, Catherine Armstrong, Maureen Bell, John Buchanan-Brown, Betty Hagglund, Justin Howes, K.A. Manley, Ian Maxted, James Mosley, Paul Nash, Maroussia Oakley, Karen Osborne and Margaret Smith.

Journal, New Series 9 (2006) includes the following articles: John Toland's economic imperative to print and financing the Harrington edition, Jeff Wigelsworth; Paper wraps stone: the beginnings of educational lithography, Christopher Stray; Artistic printing: a re-evaluation, Graham Hudson; Patents progress: the Adjustable Stencil, Eric Kindel.

Journal, New Series 10 (2007) includes the following articles:
Bob Lowry: Printer to the University?, Patricia Thomas; The Liberty Press: a platen job press invented by Frederick Otto Degener, Robert Oldham and Erick Desmyter; and Printing red underlines in the incunable period: Sensenschmidt and Frisner's 1475 edition of Justinian's Codex, Margaret M. Smith.

Journal, New Series 11 (2008) includes the following articles: Blockbooks: text and illustrations printed from wood blocks, Nigel F. Palmer; Nineteenth-century jobbing: the printing methods of Gye and Balne, Robert Banham; and The one-pull press, Alan May.

Journal, New Series 12 (2008) contains the following articles: Cloth impression marks in the fifteenth century editions of Johann Zainer – evidence for paper damping?, Claire Bolton; E.T. Wimple, ink manufacturer, supplier to the printing trade, and Australian naturalist, Benjamin Thorn; and The reward for honest toil: wages in the printing trade in early nineteenth-century Dublin, Charles Benson.

Journal, New Series 13 (2009) is a special issue on lottery printing guest edited by Dr Rob Banham. It contains the following articles, each with extensive colour reproductions: 'The English State Lottery 1694-1826', Geoffrey L. Grant; 'Lottery Advertising 1800-1826', Rob Banham; and 'Whiting & Branston's Lottery Printing', Maureen Greenland.

Journal, New Series 14 (2009) contains the following articles: 'Delight of Men and Gods: Christiaan Huygen's New Method of Printing', Eric Kindel; and 'The Introduction of anastatic printing to America', Edward J. Law.

Selected articles from the numbered volumes of the first series of the Journal, in chronological order. Note that some are described as out of print. The rest are available for purchase. First series volumes 1-24 are £ 12 each (members £ 8); volumes 25-28 are £ 20 (members £ 15).

1. 1965 (reprinted 1972). The Garamond types of Christopher Plantin, H. D. L. Vervliet; Alexander Mackie's steam type-composing machine, James Moran; Académism et typographie: the making of the romain du roi, André Jammes.

2. 1966. Thomas Ross & Son, copper- and steel-plate printers since 1833, Iain Bain; Augustus Applegath: some notes and references, W. Turner Berry; The Albion press, Reynolds Stone. Out of print, but the article by Reynolds Stone on the Albion Press has been re-issued in 2005.

3. 1967. The lithographic hand press 1796–1850, Michael Twyman; The early career of William Caslon, James Mosley; An improved printing press by Philippe-Denis Pierres, David Chambers.

4. 1968. James Moyes's Temple printing office of 1825, Iain Bain; An annotated list of printer's manuals to 1850 [addenda & corrigenda, Journal 7], Philip Gaskell, Giles Barber & Georgina Warrilow; Experimental graphic processes in England 1800–1859, part I [parts 2 & 3, Journal 5 & 6], Elizabeth M. Harris.

5. 1969. The Columbian press, James Moran; Anastatic printing for Sir Thomas Phillips, Geoffrey Wakeman; George Friend 1881–1969: a memoir, John Dreyfus.

6. 1970. A census of wooden presses, Philip Gaskell; The memorandum book of James Coghlan: the stock of an 18th-century printer and binder, Howard M. Nixon.

7. 1971. Charles Manby Smith: his family & friends. His fantasies & fabrications, Simon Nowell-Smith; The history of the California job type case, Lewis A. Pryor; Photographic enlargement of type forms, Philip Gaskell.

8. 1972. Lithographic stone and the printing trade in the nineteenth century, Michael Twyman; The American common press, Elizabeth M. Harris; Towards a history of tin-printing, Alex Davis. Out of print.

9. 1973. Aspects of research into English provincial printing, David Knott; Andrew Wilson: Lord Stanhope's stereotype printer, Michael Turner.

10. 1974/5. The decline of commercial wood-engraving in nineteenth-century America, David Woodward; Trans-Atlantic crossing: the beginning of electrotyping in America, Rollo G. Silver.

11. 1976/7. Papers presented to the Caxton International Congress 1976, by Severin Corsten, Lotte and Wytze Hellinga, Jeanne Veyrin-Forrer, Luigi Balsamo, Norman Blake, James Moran, Howard Nixon and Nicolas Barker.

12. 1977/8. Thomas Barker's lithographic stones, Michael Twyman; London printers and newspaper production during the first half of the eighteenth century, Michael Harris; The Ross records, Anthony Dyson.

13. 1978/79. Technical training and education in the English printing industry, part I [part 2, Journal 14], T. A. Skingsley; A note on W. H. Fox Talbot and photo-engraving, Harold White; Printing in 1478, David Rogers.

14. 1979/80. A day at a music publishers: a description of the establishment of D'Almaine & Co., H. Edmund Poole; A note on some lithographic stones relating to Henry Alken's 'Ideas' and 'Notions', Michael Twyman.

15. 1980/1. Slab-serif type design in England 1815–1845, Nicolete Gray; The Grover typefoundry, Michael Treadwell; The wooden common press at the Science Museum, London, John E. Smart.

16. 1981/2. The Caslon type specimen of 1766. A facsimile with an introduction and notes, James Mosley.

17. 1982/3. The rolling press: some aspects of its development, Anthony Dyson; The earliest English chromolithographs, Bamber Gascoigne; The types of Pedro Disses, punchcutter, Don W. Cruickshank.

18. 1983/84. Social aspects and effects of composing machine adoption in the British printing industry, David A. Preece; The types of Nicolas Kis, John A. Lane.

19. and 20. 1985/7. Type designs of William Morris, William S. Peterson; Founders' type and private founts at the Chiswick Press in the 1850s, Janet Ing Freeman.

21. 1992. Special issue on the Stationers' Company, guest edited by Robin Myers: Journeymen and master printers in the early seventeenth century, Sheila Lambert; Towards a demography of the Stationers' Company 1601–1700, Christine Ferdinand.

22. 1993. Special issue on early printing, guest edited by Margaret M. Smith: 'Typography' in the manuscript book, J. P. Gumbert; New light on Johannes Bamler, Sheila Edmunds; The design of the early printed missal, Mary Kay Duggan; The pre-history of 'small caps': from all caps to smaller capitals to small caps, Margaret M. Smith; The bold idea: the use of bold-looking types in the nineteenth century, Michael Twyman.

23. 1994. Printing for Amateurs by P. E. Raynor. A facsimile with an introduction, David Chambers.

24. 1995. Special issue on provincial printing, guest edited by David Knott: The Eighteenth-Century Short Title Catalogue and provincial imprints, David Stoker; John Fairfax and the sale of his printing stock and equipment in Leamington in 1838, Paul Morgan; Hare & Co., commercial wood-engravers: Jabez Hare, founder of the firm, and his letters 1846 to 1847, Martin Andrews; A Bristol printers' chapel in the nineteenth century, Donald Bateman.

25. 1996. Special issue on intaglio printing, guest edited by Anthony Dyson: Barlow's Aesop at Oxford, Anne G. Becher; Fell's forgotten legacy: the intaglio collection of the Oxford University Press Museum, Peter Foden; Chart engraving at the Admiralty's hydrographic department 1951–1981, Roy J. L. Cooney; Reading mezzotints: Mr. Constable's English Landscape, Judy Crosby Ivy; Reproductive mezzotint engraving: the epilogue, Anthony Dyson.

26. 1997. General issue, edited by Margaret M. Smith: Numerals and numbering in early printed English Bibles and associated literature, Jack Williams; A history of bellman's verses, Diana R. Mackarill; Symmetry and the combinable natures of printer's flowers, Richard Kelly; Applegath and Cooper: their importance to the English letterpress printing industry in the nineteenth century, Raymond A. Taylor; A brief account of the development of the Linotype and its early use in the United Kingdom, Basil Kahan.

27. 1998. Special issue on lithographic printing, guest edited by Michael Twyman: Introduction, Michael Twyman; Patrelli, Muller and the Officio Topografico: the beginnings of lithography in Naples, Vladimiro Valerio; Lithography and Spain: the difficult beginnings of a new art, Jesusa Vega; The beginnings of lithography in America, Philip J. Weimerskirch; Lithography for maps: from Senefelder to Hauslab, Ian Mumford; Birthplace of the Indian lithographed book, Graham Shaw; Lithography at the crossroads of the East, Ian Proudfoot.

28. 1999. General issue, edited by Margaret M. Smith: Legros and Grant: the typographical connection, Lawrence Wallis; Parker, Lambarde and the provision of special sorts for printing Anglo-Saxon in the sixteenth century, Peter J. Lucas; The development of publishers' bookbinding in the nineteenth century, Esther Potter.

Hon. Chairman: Dr John Hinks
Hon. Treasurer: Mr Andrew Dolinski
Hon. Secretary: Mr Francis Cave
Hon. Membership Secretary: Dr Catherine Armstrong
Hon. Journal Editor: Mr John Trevitt (who retired by rotation and was willing to stand again)

The election of these five officers was proposed by Richard Lawrence and seconded by Michael Twyman, and was welcomed by the meeting.

The following members of the committee retired by rotation in 2010 and are willing to stand for a further term: Ken Brooks, Richard Lawrence, Paul W. Nash, James Mosley and Peggy Smith.

Volume 14's articles are by Eric Kindel, 'Delight of Men and Gods: Christiaan Huygen's New Method of Printing'; and Edward J. Law, 'The Introduction of anastatic printing to America'. The reviewers are Rob Allen, Maureen Bell, Bridget Carrington, Eddie Cass, Elaine Jackson, Betty Hagglund, Andrew King, Michael Mitchell, Tracy Thong and Terry Wyke.

The copying machine spurned by the jobbing printer, was taken up by newcomers and with the aid of the Varityper a whole new industry was created. Later the introduction of the desktop computer with digital scanning revolutionised colour printing and brought offset-printed low-cost colour to even the humblest brochure.

It is important that these changes are recorded for future generations and the best persons to do this are the very persons who were involved at the time. Accordingly the Printing Historical Society has created the Donald Milham Archive and invites members of the printing industry to send factual details of those difficult times and at the same time possibly win cash prizes for their entries.

Donald Milham was a letterpress machine minder and his son Peter Milham, wishing to use part of his father's legacy to commemorate his memory, funded the project with Rob Clayton.

Open to anyone from tea lady to chairman who spent three years or more in the British printing industry, all entries have been archived in the St Bride Library, for access by future printing historians.

Grants are limited to historical research in: printing technology, the printing and related industries, printed materials and artefacts, type and typefounding, print culture, and printing processes and design.

Applications for research funding may be up to £ 1,000; applications for publishable reports on archives, up to £ 500. In both cases grants may be used to cover material or other expenses, including travel, subsistence, photography, etc. Applications should specify the amount requested and offer a budget for the use of funds envisaged; costs incurred before application are unlikely to be successful, as are projects that are deemed to be primarily bibliographical. Students, academics and independent researchers may apply. Some preference will be given to independent researchers.

The application should consist of: 1) a one-page covering letter, containing a brief curriculum vitae, and the name, address and email of one referee (who has agreed to serve as referee), and 2) a 1- or 2-page description of the project and budget. The project description should state its purpose clearly, and succinctly. Please state whether your project is part of a larger one, and whether you are applying elsewhere for funding. Note that your compliance with the length instructions will form part of our evaluation of the application, so be certain not to go beyond the 3 pages of hard copy.

Post your application to the PHS Grants & Prizes Sub-Committee, Peggy Smith, 18 Market Hill, Clare, Sudbury CO10 8NN, UK; email can be used for questions, but not for submitting the application: m.m.smith1@btinternet.com.

Application deadline: 1 January 2011. Awards will be announced at the PHS AGM in early 2011, for disbursal the following month.